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Best of 2005 Awards
Westport Country Playhouse
Award of Merit: Cultural
The Westport Country Playhouse showed all the signs of aging
- decaying walls, crumbling foundations, and even a floor
propped up by a railroad tie. Pew-style seating and obstructed
sightlines made for a less-than-ideal experience.
In short, the old playhouse needed more than a facelift.
It needed a full-scale makeover to usher in modern theater
technology, restrooms, and concession space. And it had to
be done by June, in time for the playhouse's 75th Anniversary.
The Connecticut Theatre Foundation handed the challenge,
and a tight $14 million budget, to a team led by Ford Farewell
Mills & Gatsch, an architect based in Princeton, N.J.,
and the Milford, Conn., office of Turner Construction. Their
charge was to modernize without compromising the theater's
traditional, rustic charm. The results spoke for themselves.
"It was unbelievable," said one of the Best of
2005 jurors.
But it wasn't easy.
"They had some difficult challenges," added another
juror. "They excavated by hand and salvaged and reused
materials."
First, the team had to shore up the building. It jacked steel
beams under the existing stage-house floor and installed shoring
towers on 10- ft. centers throughout the basement in 4-ft.-deep
pits.
Due to height and space restrictions, crews excavated much
of the basement by hand. Part of the floor above it sagged,
because the basement did not extend for the entire building's
footprint, with an outer wall supported by an exterior column
that sat on about 3 in. of foundation wall. That section of
floor was where someone in the past had rigged a railroad
tie to act as a beam supported by two lolly columns.
The team later renovated the basement to build offices and
larger dressing rooms.
Once the team secured the main structure, it added other
new spaces. The building now has two lobbies, when before
it had none, as well as updated bathrooms, a concession stand,
lounge, conference center, new stage rigging and lighting
systems, and three mechanical rooms.
The team also built a large scene shop in a backstage addition
while renovating and transforming a nearby barn into a rehearsal
hall. And the pew-style seating lost its puritan flavor. The
benches remain but now have red velvet upholstery with individual
seat cushions and arm rests.
Striving to preserve the early 20th Century feel, the team
finished new wood to blend in with time-weathered beams and
preserved the theater layout. Posters from old productions
decorate one lobby, a reminder of the building's history.
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Key Players
Owner: Connecticut
Theatre Foundation
Owner's Representative:
Zubatkin Associates
Architect: Ford Farewell
Mills & Gatsch
General Contractor:
Turner Construction
Geotechnical Engineer:
Haley & Aldrich
Consultants: Environmental
Design Associates; Fisher Dachs Associates; Jaffe Holden
Acoustics; Tighe & Bond
Excavation-Sitework: Dalling
Construction
Demolition: J.R. Contracting
& Environmental Consulting
HVAC-Plumbing: M.J.
Daly & Sons; Walter D. Sullivan Co.
Theater Equipment and Systems:
Pook Diemont & Ohl; Sound Associates; Staging
Concepts
Structural Steel: Shepard
Steel
Masonry: United Mason
Contractors
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